Since the dawn of time, humanity has searched for ways to express the world around them in visual form. Sculptors like Praxiteles, Auguste Rodin, Michelangelo and the unknown artist who crafted the Venus de Milo have filled the art history books. Painters, such a Leonardo da Vinci, Pablo Picasso, Claude Monet and Salvador Dali, have their works in hundreds of museums and on the walls of private collectors.
Although the question of whether photography is an art form is still half-heartedly debated by some, and has been since the 16th century, many photographers have joined the ranks of famous artists. Several photographs, framed or enlarged, black and white or color, now populate the walls and museums of the world. However, only in the past century or so has photography been recognized as any kind of art, much less fine art.
Originally, photography was the “unwanted stepchild” of the arts, a poor relation to drawing and painting. Because of the camera’s mechanical nature, say the detractors, it doesn’t require any real skill. The need for hand to eye coordination is minimal, the subject of the photograph comes “ready-made” and the photographer doesn’t need to be creative or imaginative. In short, a monkey could do it.
Considered an industrial art or a documentary device, the medium still caused much consternation amongst the artists of other mediums. Many were afraid that photography would cause the loss of livelihood. Others saw a disintegration of the arts, distorted by the photographic lens.